That Floating Excrement Was Far Too Meaningful! These Are the TV Letdowns of the Past Year.

As we reflect on the television offerings of the recent year, a selection of series emerge not for their brilliance, but for their spectacular shortcomings. From awkward spin-offs to confusingly bad documentaries, here are the programmes that left us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this love/hate spin-off? Plagued with dreadful scripts, cringe-inducing character development (justice for Miranda!), and a paltry 71 seconds of beloved Samantha, the show fought to justify its existence. Briefly, as the third series started, it looked like it had at last hit its stride. Then came an installment all about Seema’s natural deodorant. Little surprise the showrunner announced this would be the final series. It ended on a low point; the closeup of Miranda’s loo flooded with poo was simply too on-the-nose. Yet, fans certainly had a hoot dissecting every single “wtf?” episode. And as Carrie – once again single – danced around her palatial townhouse to Barry White, who couldn't let out a little sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? Of course she can’t.’

But that was practically the least of this show's issues. The recipient of a very rare no-star assessment, it was hard to know where to start enumerating the flaws. The laughably wooden dialogue? The mind-numbing glorification of wealth and consumption? The almost deliberate procession of cliches? Performances so bad they felt almost spiteful? Let’s just say “each and every one” and never speak of this show again. Except, a new season has been commissioned, so we’re likely going to have to.

The Charlie Sheen Documentary

Given the restraining orders, abuse claims and parental shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d really have gleaned it from this three-part documentary which smirked its way at Sheen’s various episodes of self-destructive excess while struggling to tell us a single thing we weren't already aware of. Rather, it felt as if this loose cannon was being pandered to, so any pity this show might induce should be saved for the people who have had to suffer proximity with this charismatic but dismissive egotist.

The Iris Affair

Naturally we understood it was preposterous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of sheer admiration for its stars … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. Talk about admitting defeat.

MobLand

Dodgy figures convening in empty boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.

In truth, that is unfair on the gangland dramas of the late 90s. Many seem a little dated now, but at least they didn’t endure the embarrassment of having to indulge baffling dialects. But there were many other problems. Primarily that it was just profoundly boring; a dispute over drug-selling territory between various London picaresques which seemed a bit basic.

With Love, Meghan

Given the degree to which she grinds the gears of the nation’s ostentatiously enraged commentators, it’s temptingly tempting to admire the Duchess of Sussex’s various forays into twee lifestyle as intentional statements. But then you view them and are compelled to concede that in this case, they may have a point. It’s like watching a homeware magazine animated; a meme for evening drinks with delusions of grandeur; a procession of snoozing dogs, humming beehives, sentimental sayings and pointless crafting “hacks” you’ll not remember instantly. All underpinned by vast, mostly undeserved wealth. Ugh.

The Beckham Documentary

There are obviously fascinating things to be said about regarding Victoria Beckham and her struggles with vocation, self-image, self-worth. But for whatever reason, this documentary series opted not to say them. Rather, the viewing was akin to reading a sales brochure. She clearly has every right to resent what she describes as her “miserable cow” image. But sadly, she failed to do herself any helps with this cagey letdown of a series.

The Game Show

It had the potential to be the next big hit – except even more extravagant, with a glamorous star playing dead and a well-known personality managing her inheritance. What more could you want? As contestants competed, there was plenty of betrayal and arguing. But the rules quickly became incomprehensible: it’s even now too complicated to detail what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via prerecorded videos. The series ended up reeking of a production that was straining desperately to live up to something far greater than it.

Too Much

How do you follow a show that defined a generation? The pressure was immense for this glitzy romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a broken heart. The star took her biggest role by the horns and was a delight to watch, embodying Jane Austen levels of romantic notions. But it was all very glossy and, paradoxically, was not enough. Plus, the abundance of famous friends involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘patchy’.

Given the shrewd inclusion of talented emerging comics, expectations were high. But unhappily, most of it fell flat. A recurring sketch was a one-note joke stretched to a dry pulp but repeated in every episode. One star seemed too willing to slip into a well-known irate mode. The writing room sketches, meanwhile, simply provoked the thought that they should probably have stayed in there a bit longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the horrific 2007 murder, this isn’t it. The material needed to be handled with care. Instead, the series laboured awkwardly to find the right tone, lurching from oddly jaunty, slightly mannered farce to inevitably, real-life horror. Complex? Arguably. A total mess? Absolutely.

The Maths Genius Thriller

We love the lead actor … but did we buy him playing the greatest maths genius in history, a man so intelligent he’s on the verge of a discovery that could destabilise society? Nope! This globe-trotting thriller about secret services targeting – and eliminating – academics frankly got more absurd by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the content creator renowned for explicit escapades as she undertook her biggest feat yet. What on earth would possess her? What we craved was far greater interrogation of her true psychology, plus those of the men in the queue. They could at least have interviewed the now-famous mum who appeared to drag her son out of the queue. What we got was horrific shots and absolutely no critical analysis of her infamy whatsoever. And to think, the documentary-maker has a teenage daughter too.

Victoria Grant
Victoria Grant

A seasoned journalist with over 15 years of experience covering UK politics and social issues, known for insightful reporting.